I cannot say in words what I communicate visually. The internal dialog that occurs while I’m working augments the process but does not explain the result. Good work stands independent of its making. To appreciate art is to be sensitive to your own responses to it.

I find the imagery available in non-objective art limitless and sometimes overwhelming so early on I made the decision to set parameters within which to work.  I decided to look for  sophisticated aesthetics in simple forms and concepts. The early sculptures were all made using the same basic shape, the first shape my hands made patting around a wad of clay. It was roughly a pear shape and I made a number of pieces with it: bubblegum machines, refrigerators, bible scenes and ecological statements. There was non-objective work as well but most of the pieces had some frame of reference to real objects. Nevertheless I decided to call it non-objective folk art, because of the simple, naïve imagery, and sought to further define it and operate within its parameters.

Eventually the forms evolved to a simple geometry. I also broadened the scope of materials used from ceramic to cast resin, carved wood, forged and fabricated metals, and cast metals. However forged and fabricated bronze captured my attention most. Working directly with sheet metal to create three-dimensional forms brings a raw honesty to the sculpture, and bronze that is well worked adds a rich unique quality.

The work has also evolved conceptually. I still explore non-objective folk art but use it as direction rather than definition. And instead of relying on a frame of reference I now rely on depth of character in a piece to provide conceptual value.

I look to communicate sophisticated aesthetics with a simple visual language that is honest and well worked.


BORN: 1952, Des Moines, Iowa

Currently resides in Santa Fe County, New Mexico


1977 Bachelor of Arts, Metropolitan State College, Denver CO

1974-78 Apprenticeship, Edgar Britton, bronze sculptor, Littleton CO

1970-72 Apprenticeship, Ole’ Jorgenson, wood sculptor, Des Moines IA


2015        FEATURE ARTICLE, Santa Fean magazine, June/July issue

2014        FEATURE ARTICLE, Santa Fean magazine, June/July issue

2013        FINALIST for the 2014 State of New Mexico Acclaimed Artists Series

2012        FINALIST for City of Albuquerque, NM, Public Art Program, Cherry Hills Library

2011 SOLO EXHIBITION: Littleton Museum, Littleton CO (an Affiliate of the Smithsonian


2009 FINALIST for the 2010 State of New Mexico Acclaimed Artists Series

2007 FEATURE ARTICLE, Sculptural Pursuit magazine, Spring issue

2006 SELECTED ARTIST for the third biannual Acclaimed Artists’ Series by the Art in Public Places

          Program of New Mexico

2005 ACQUISITION: “Edge & Point”, by the Littleton Museum, Littleton CO, 1% for the Arts

2002 SELECTED ARTIST for the Acclaimed Artists’ Series by the Art in Public Places Program of

          New Mexico

2001 ACQUISITION by the New Mexico 1% for the Arts, 6' bronze wall relief for the Bernalillo

          County Courthouse, Albuquerque NM;

1990 FEATURED ARTIST in “Colores” PBS-TV series on contemporary New Mexico artists